Yuval studied Mathematics and Physics at Tel Aviv University and later moved to New York where he received a Ph.D. in Philosophy from Columbia University.
Yuval also studied sculpture and photography at Columbia during this time and participated in various high profile art shows in New York City before switching full time to writing and directing film.
FILM
Directing (completed):
“Sympathy for the Devil” (2023) starring Nicolas Cage and Joel Kinnaman.
2022
2020
“The Secrets We Keep” (2020) starring Noomi Rapace. Joel Kinnaman, Chris Messina and Amy Seimetz. Also co-writer.
“The Operative” (2019) – Starring Diane Kruger and Martin Freeman. Director, writer.
2019
Wrote and Directed “Bethlehem” (2013) – a feature in Hebrew and Arabic. Israel’s Foreign Language Oscar submission for 2014. Venice Film Festival Jury Award. 6 Israeli ‘oscars’.
2013
Writer / Director / Editor of “Seduction” – a 30 min. HD crime drama.
2005
“Taxicab Confessions at Strasberg” – Directed and edited scenes based on dialogue from the HBO classic at the Lee Strasberg Theater Institute. (Instead of film school)
2002
“Taste”—a short film based on the Roald Dahl story. Adapted for the screen, directed and
2001
Writing/Developing:
“Job” - a meta fictional adaptation of the biblical text for Nicolas Cage.
2023
“Lilly” – a paranoid erotic thriller. relationship is pushed to the breaking point because of a video that might, or might not be a deep fake.
2022
“Rise and Kill First”. Developed a TV series for HBO based on the NYT bestseller. Wrote the pilot and the bible
2021
“Dad” – a psychological — or better yet, psychoanalytical — horror film.
2020
FILM HONORS:
Bethlehem (2013) won the top prize at the Venice Days section of the 2013 Venice Film Festival. It went on to win six Israeli Film Academy awards, including best picture, best direction and best screenplay and was Israel’s entry for the 2014 Oscars.
The Operative (2019) premiered as an official selection in the main section of the Berlinale.
EDUCATION
2000 - 2002
Acting, Lee Strasberg Theater Institute. Two years with I. Sandrey and R. Castle. Instead of film school !
1995 - 1999
Ph.D. Philosophy, Columbia University, New York, 1999.
1993 - 1995:
M.A. Philosophy, Columbia University, New York. Parallel to this: Columbia University Art Department – studio program with Judy Pfaff
1990-1993:
B.A. Mathematics and Physics, Tel Aviv University, 1993.
Parallel to this: fine art and philosophy classes as part of the Adi Lautman Interdisciplinary Program for Outstanding Students/The Cohen Institute for the History and Philosophy of the Sciences and Ideas
PHILOSOPHY
Research Areas: Metaphysics, phenomenology, Heidegger, Indexicals and Names (from the perspective of analytic philosophy). Time.
PHILOSOPHY — TEACHING EXPERIENCE
Bar Ilan University: The end of Metaphysics — reading from Aristotle, Neo Platonism, Kant and Heidegger. Grad or undergrad.
2017
Bar Ilan University: A Metaphysical Interpretation of the Book of Job — an attempt to delineate the biblical text as primarily concerned with classic metaphysical question like the place of the human in the world, the relation between anxiety and wonder,
2016
Tel Aviv University: led a graduate level reading group on the second division of Being and Time. In particular the notion of Zeitlichkeit.
2015
Bar Ilan University: The Question of Being — in Being and Time (1927), On the Essence of Truth (1930), Introduction to Metaphysics (1935), Contributions (36-38). Fall + Spring.
2015
Bar Ilan University: Heidegger on the Notion of ‘World’ — graduate level. An examination of Heidegger preoccupation with that notion in the late 20s and the 30s.
2014
- 10 CUNY MATHEMATICS DEPARTMENT - GRADUATE CENTE:
2007
With Prof. Roman Kossak, a series of reading groups focused on phenomonology and Godel’s fascination with it. We then led close readings of Husserl’s Idea of Phenomenology, Ideas I and some of Heidegger’s early texts (HCT).
COLUMBIA UNIVERSITY
1996-97
Columbia College: Contemporary Civilization, Core Curriculum.
1995-96
Columbia College: Contemporary Civilization, Core Curriculum.
1994-95
Columbia University: Elementary Logic (Fall and Spring semesters).
1991-92
Tel-Aviv University, Math department. Teaching Assistant: Calculus I + II.
Philosophy Publication
1. “Possibility Tout Court: Heidegger on Death as a Phenomenon of Life.” in Gatherings: the Heidegger Circle Annual. 2022.
2. “A Political a-Priori?” – in Philosophy Today 2020.
Lectures:
South West Seminar
Tel Aviv continental - Job.
ART – RESUME (from before I switched full time to film):
Art Exhibitions
Caren Golden Fine Art, solo exhibition, sculpture and photography, Soho, NYC.
1995
Exit Art/The First World, “Way Cool”, group exhibition, NYC
1995
Humphrey Gallery, “60,000 Milliseconds”, group exhibition, NYC
1995
Columbia University, art department group exhibition, NYC
1994
Art Bibliography
Hodgkin, D. Bradshaw “Art,” New York Magazine, November 6, 1995
H
Levin, “Choices,” The Village Voice, November 21, 1995
K.
Glueck, “To Be Young, 3-D and Way Cool,” The New York Observer, May 19, 1995
G.
Wallach, “Young Artist Exploring By Light of Imagination,” New York Newsday, May 19, 1995
A.
SHORT BIO:
Writer/Director Yuval Adler studied Mathematics at Tel Aviv University and later moved to New York where he received a Ph.D. in Philosophy from Columbia University. Yuval also studied sculpture and photography at Columbia during this time and participated in various high profile shows in New York City before switching full time to writing and directing film. His debut feature Bethlehem won the Venice Days award at the 2013 Venice Film Festival, six Israeli Film Academy awards and was Israel’s entry for the 2014 Oscars. Since then, he has directed and cowritten two features: The Operative, starring Diane Kruger and Martin Freeman, an official selection of the 2019 Berlin Film Festival, and the American thriller The Secrets We Keep, starring Noomi Rapace and Joel Kinnaman. Yuval taught graduate classes in philosophy at BarIlan University between projects. He is wrapping up “Sympathy for the Devil”, starring Nicolas Cage and Joel Kinnaman. The film will be released in the summer of 2023.
Interviews
Navigating the informant's shadow world
- NY Times
- NY Times
Foreign Language Oscar Preview
- Deadline Hollywood
- NY Times
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